In a move that has ignited controversy and drawn criticism from historians and civil rights advocates, a national park is reportedly set to remove an exhibit featuring the iconic photograph of “Whipped Peter.”

According to The Washington Post, National Park Service officials have taken exception to various signs and displays at the Harpers Ferry National Historic Park in West Virginia and George Washington’s old house in Philadelphia, where the first U.S. president kept nine slaves.

The image depicts a formerly enslaved man’s back crisscrossed with severe scars from a whipping. It is one of the most powerful and historically significant visuals from the Civil War era.

Trump administration seeks to continue whitewashing history

The photo served as a reminder of the harsh penalties of seeking freedom while enslaved and a warning to other slaves who might have thought of running away or rebelling.

Advertisement

By attempting to remove the photo, the Trump administration seeks to whitewash history and sanitize the abject cruelty bestowed upon enslaved persons of that time. It is the same reason why Emmett Till’s mother chose to have an open casket for his funeral, exposing the vile hatred and demonic actions of the era for a nation to witness.

The Trump administration would have us forget slavery altogether and only see America for its beauty, nostalgia, and exceptionalism. However, the deep scars on Peter’s back remind us that freedom has come with a cost that everyone hasn’t had to pay.

Trump to eliminate “corrosive ideology” about American history

The decision to remove the exhibit is part of a broader directive from the current administration. It has ordered the National Park Service to eliminate displays and information that reflect a “corrosive ideology” that “disparages” the nation’s history.

Slavery, by definition, was a corrosive ideology. Human beings were tortured, separated from families, and lived in truly tumultuous times that determined their worth based on what they could yield for the racist system of chattel slavery.

Advertisement

A National Park Service spokesperson stated that “Interpretive materials that disproportionately emphasize negative aspects of U.S. history or historical figures, without acknowledging broader context or national progress, can unintentionally distort understanding rather than enrich it.”

According to sources familiar with the matter, this order is being interpreted broadly to include content on racism, sexism, slavery, and the persecution of Indigenous peoples.

By removing the photo, they are removing a powerful symbol of American-bred animosity and ultimate story of survival.

“The Scourged Back” sparks dialogue centuries later

Taken in 1863, the photograph, often titled “The Scourged Back,” shows a man named Peter Gordon after he escaped a Louisiana plantation and sought refuge with the Union Army.

Advertisement

The image of his horrifically scarred back served as irrefutable visual evidence of the brutality of slavery.

Smith Collection/Gado/Getty Images

It was widely circulated by abolitionists and played a crucial role in galvanizing public opinion in the North and strengthening support for the Union cause. The photo was a stark and undeniable counterpoint to the romanticized narratives of slavery often propagated by Southern apologists.

Acknowledging the full scope of the past, including its darkest chapters, is not about disparaging America but about fostering a more complete and honest understanding of its history.

Scars on Peter’s back are a testament of resilience at National Park

By exposing the truth of the times, U.S. citizens today can understand the depths of the deranged era that sought to whip Black people into submission and subservience.

Advertisement

The controversy surrounding “Whipped Peter” is not just about a single photograph; it is about the very purpose of public history and who gets to decide what is remembered and what is forgotten.

Hailing from Charlotte North Carolina, born litterateur Ezekiel J. Walker earned a B.A. in Psychology at Winston Salem State University. Walker later published his first creative nonfiction book and has...